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Prose Writer

Nirad C. Chaudhuri

1897–1999 · Kishoreganj, Bengal (now Bangladesh)

The most controversial Indian prose stylist in English — an unapologetic admirer of the empire he outlived.

The Autobiography of an Unknown Indian

Life & Background

Nirad Chandra Chaudhuri was born in 1897 in Kishoreganj in eastern Bengal, in what is now Bangladesh, and was educated in Calcutta, where he took a first in history but abandoned his MA after failing to sit the examination. He worked as a clerk, a magazine editor, and from 1937 as secretary to Sarat Chandra Bose, brother of Subhas Chandra Bose, which gave him a close view of nationalist politics he came to distrust. He was a broadcaster and commentator for All India Radio. The Autobiography of an Unknown Indian, published in 1951 when he was fifty-four, was dedicated to the memory of the British Empire in India — a dedication that cost him his government job and made him a hated figure in independent India. He moved to England in 1970 and lived in Oxford until his death in 1999, at 101.

The Autobiography of an Unknown Indian

The Autobiography of an Unknown Indian
1951
Plot summary

A memoir of the first twenty-four years of his life, organised less as a personal narrative than as an account of the making of a mind. It opens with the environment: his birthplace Kishoreganj, the ancestral village Banagram, and Kalikutch, his mother's village, each described with the precision of a naturalist. It moves through his English education, his reading, his discovery of European history and music, and the intellectual formation of a Bengali boy of the professional class in the last decades of the Raj. The second half turns to Calcutta and to the political and cultural currents of the early twentieth century — the Swadeshi movement, the growth of nationalism, the Bengali middle class — and closes with an extended, sceptical analysis of the environment of his youth and of what he saw as the failure of Indian nationalism to build anything durable.

Literary analysis

The prose is the reason the book survives its politics: a formal, Latinate, deeply read English that Chaudhuri built from Gibbon and the eighteenth century, and which V.S. Naipaul and others judged the finest written by any Indian. The famous dedication to the British Empire is more double-edged than its reputation suggests, since it goes on to note that all that was good and living within Indians was made, shaped, and quickened by British rule while also observing that the subjection to the empire brought no citizenship. His argument is a critique of Indian society from a position of Western high culture, and it has been read as colonial self-hatred, as Anglophile snobbery, and as the honest testimony of a man who valued what he was educated into. All three readings are available for examination purposes.

Why Chaudhuri Matters

Chaudhuri is the outstanding prose stylist of Indian writing in English, and his Autobiography is a standard set text as memoir, as social history of the late Raj, and as the sharpest available case study in the colonised intellectual's ambivalence — the exact material Fanon, Bhabha, and Ngũgĩ theorise. Whether he is best read as Anglophile apologist or as unsparing critic of both India and empire is a live examination question rather than a settled matter.

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Key Facts

Dedicated to the Empire
The 1951 dedication to the memory of the British Empire in India lost him his government employment.
Lived to 101
Born in 1897, he died in Oxford in 1999, having outlived the empire he wrote about by half a century.
Never took his MA
He completed his undergraduate degree with distinction but failed to sit his postgraduate examination.
Praised as a stylist
His English prose has been ranked with the best of the century by critics including V.S. Naipaul.

All Major Works

  • The Autobiography of an Unknown Indian1951
  • A Passage to England1959
  • The Continent of Circe1965
  • Scholar Extraordinary (Max Müller)1974
  • Hinduism1979
  • Thy Hand, Great Anarch!1987
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